Who Killed Davey Moore
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"Who Killed Davey Moore" is a topical song written in 1963 by American folk singer/songwriter
Bob Dylan Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career sp ...
. Though the song was not commercially released on Dylan's several studio albums in the 1960s, it was popular in his repertoire for live shows during that era. Dylan's performance of the song at Carnegie Hall on October 26, 1963, would later be released on ''
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 ''The Bootleg Series Volumes 1–3'' is a box set by Bob Dylan issued on Columbia Records. It is the first installment in Dylan's Bootleg Series, comprising material spanning the first three decades of his career, from 1961 to 1989. It has been c ...
'' in 1991, and an October 1964 performance is on '' The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall'', released in 2004.


Background

Davey Moore was an American boxer whose career spanned 1953 to 1963. Known as "The Little Giant", Moore stood at only . On March 18, 1959, Moore won the World Featherweight Title from
Hogan Bassey Hogan "Kid" Bassey MBE MON (3 June 1932 – 26 January 1998) was a Nigerian-British boxer; he was the first man of Nigerian descent to become a world boxing champion. He was born Okon Asuquo Bassey on the banks of the Cross River, Creek To ...
. Moore held the title for four years and three days, defending it five times before losing it to Cuban
Sugar Ramos Ultiminio Ramos Zaqueira (2 December 1941 – 3 September 2017) was a Cuban-born Mexican professional boxer who was better known as Sugar Ramos. Ramos fought out of Mexico where he was adopted as a national hero. He was a world featherweight cha ...
on March 21, 1963. During the fight with Ramos in
Dodgers Stadium Dodger Stadium is a baseball stadium in the Elysian Park neighborhood of Los Angeles, California. It is the home stadium of Major League Baseball's Los Angeles Dodgers. Opened in 1962, it was constructed in less than three years at a cost of ...
, Moore was knocked down into the ropes during the 10th round. Moore lost by technical knockout at the end of the 10th round and Ramos took the title. Moore walked back to his dressing room and conducted post-fight interviews, stating his desire to fight Ramos again and regain the title. After reporters left he complained of headaches and fell unconscious. He was taken to White Memorial Hospital where he was diagnosed with inoperable brain damage. Moore never regained consciousness and died as a result of the affliction on March 25, 1963.


Criticism of boxing

Following Moore's death, the morality of boxing was debated by politicians and religious leaders alike. The song "Davey Moore" by folk singer
Phil Ochs Philip David Ochs (; December 19, 1940 – April 9, 1976) was an American songwriter and protest singer (or, as he preferred, a topical singer). Ochs was known for his sharp wit, sardonic humor, political activism, often alliterative lyrics, and ...
, who described himself as a "singing journalist," offered a harsh criticism of the sport and those affiliated with it. However, Dylan's song delivered a more indirect message and a message that transcended the arena of boxing to include the enveloping society. In his typically ironic fashion, when Dylan introduced "Who Killed Davey Moore" during his October 31, 1964 show, he addressed the crowd:
This a song about a boxer... It's got nothing to do with boxing, it's just a song about a boxer really. And, uh, it's not even having to do with a boxer, really. It's got nothing to do with nothing. But I fit all these words together... that's all... It's taken directly from the newspapers, Nothing's been changed... Except for the words.The introduction can be heard in Dylan's record The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall


Song structure and implications

Dylan's song borrows the structure of the children's rhyme
Cock Robin "Who Killed Cock Robin" is an English nursery rhyme. It has a Roud Folk Song Index number of 494. Lyrics The earliest record of the rhyme is in ''Tommy Thumb's Pretty Song Book'', published in 1744, which noted only the first four verses. The ...
. As Dylan takes the perspective of the referee, the crowd, the manager, the gambling man, the boxing writer, and Sugar Ramos he ends each line in the first person with the refrain
"It wasn't me that made him fall. No, you can't blame me at all."
Before the chorus, from most likely an objective voice
Who killed Davey Moore, Why and what's the reason for?
In each verse, the defensive party gives its reasons why it is free from culpability. The sum total of their arguments implies that the blame belongs to them all— the constituent parts of the boxing industry. In the final verse, Sugar Ramos—"the man whose fists, laid him low in a cloud of mist"— is referenced as coming to the United States "from Cuba's door, where boxing ain't allowed no more." In the first released recording of the song from a performance at
Carnegie Hall Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhatta ...
in 1963, a portion of the audience can be heard cheering the invocation of Cuba's then-recent policy to ban boxing, among other professional sports. In Dylan's lyrics, Ramos concludes his defense by stating Moore's death "was God's will". These words were taken from Moore's wife Geraldine's statement upon learning of her husband's death.
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably ...
sang the song in 1963 at the ''
We Shall Overcome "We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Ti ...
'' concert at Carnegie Hall (and recorded it on his 1963 album ''Broadside Ballads, Vol. 2''), in a minor key, inserting the words in the refrain: "How come he died and what's the reason for?".


References

{{Bob Dylan 1963 songs Bob Dylan songs Songs written by Bob Dylan